#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4)
	with SMTP id ; Sun, 3 Oct 1993 18:47:43 -0700
Received: from itsa.ucsf.EDU by animal-farm.nevada.edu id ; Sun, 3 Oct 1993 18:47:41 -0700
Received: by itsa.ucsf.EDU (AIX 3.2/UCB 5.64/GSC4.22)
	id AA60502; Sun, 3 Oct 1993 18:48:13 -0700
Date: Sun, 3 Oct 1993 18:48:13 -0700
From: ddial@itsa.ucsf.EDU (Derek Dial)
Message-Id: 0502; Sun, 3 Oct 1993 18:48:13 -0700
Date: Sun, 3 Oct 1993 18:48:13 -0700
From: ddial@itsa.ucsf.EDU (Derek Dial)
Message-Id: <9310040148.AA60502@itsa.ucsf.EDU>
To: jamesb@animal-farm.nevada.edu



Song: "I'm One"  (Beginning only--with a couple of gaps)
Band: The Who
Album: Quadrophenia
Guy who who spent too much time typing this up: Derek Dial (ddial@itsa.ucsf.edu)



I saw that this song was on the Most Wanted list as of 3/31 so I thought
I would send in as much of it as I know (which is just about all of it).
I hope somebody still wants this.


This is my first attempt at puting anything into tab, and this is what it's
supposed to mean.  I think the song is in 4/4 time so I have made 
4 dashes (----) equal to one eigth note.  (The way I have represented the 
bars it may actually be in 8/4 time in which case 4 dashes equals one 
quarter note--it dosen't really matter; just listen to the recording and play
it as you here it.)  Anway, in the notation 'h' means hammer-on and 'p'
means pull-off.  You should let the notes ring throughout the song except 
where there is a '.' above the note and where the optional pull-off is.         That's about it.  Obviously, the strings should be plucked with the fingers
using the standard fingerpicking protocol.

Have fun! 
 

                    *                                * 
e|----3---------------------------|--------------------------------|
B|----------------0h1p0-----1-----|----3*----------0h1p0-----1-----|
G|----------0-----------2---------|----------0-----------2---------|
D|----0-------0-------0-------0---|----0-------0-------0-------0---|
A|--------------------------------|--------------------------------|
E|3-------3-------3-------3-------|3-------3-------3-------3-------|

Play 6 times         *Note: I don't know if this pull off actually exists
                     in the song, but it helps to stop the C from ringing


      .                                 
e|----2-----------0---------0-----|----1-----------0---------0-----|
B|----------3-----------3---------|----------3-----------3---------|
G|----2-------2-------2-------2---|----2-------2-------2-------2---|
D|0-------0-------0-------0-------|0-------0-------0-------0-------|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|
      . staccato (don't let ring)




e|----2-0---0-----0---------0-----|----1-----------0---------0-----|
B|--------3-------------3---------|----------3-----------3---------|
G|----2-------2-------2-------2---|----2-------2-------0-------0---|
D|0-------0-------0-------0-------|0-------0-------0-------0-------|
A|--------------------------------|--------------------------------|
E|--------------------------------|--------------------------------|





e|----0-----------0---------0-----|----0-------------------0-------|
B|----------1-----------1---------|------------------------------3-|
G|----2-------2-------2-------2---|----------2-------2-------------|
D|3-------3-------3-------3-------|0-------0-------0-------0-------|
A|--------------------------------|--------------------------------|
E|--------------------------------|----2-------2-------2-------2---|
                                   Not sure what happens here: I think this
                                   is a Dsus4(?) chord played with the low F#.
                                   (low to high F#,X,D,A,d,e)
                                   What I've tabbed above is WAY wrong.

e|----0-----------------0---------|--------------------------------|
B|----------1-------1-------1-----|----0---------------------------|
G|----2-------2-------2-------2---|--------------------------------|
D|3-------3-------3-------3-------|2-------------------------------|
A|--------------------------------|--------------------------------|
E|--------------------------------|----------------2-------2-------|
                                   Not sure what happens here:chords are Em
                                   and the same D chord used two bars back.


e|----3---------------------------|3-------------------------------|
B|----------------0h1p0-----1-----|0-------------------------------|
G|----------0-----------2---------|0-------------------------------|
D|----0-------0-------0-------0---|0-------------------------------|
A|--------------------------------|2-------------------------------|
E|3-------3-------3-------3-------|3-------------------------------|


If anybody knows what goes on in the two mystery bars please fill me in.


#############################################################################
Derek Dial    ddial@itsa.ucsf.edu
#############################################################################