Табулатура: Rush - "The Trees"



#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

From: Jonathan D Simms 

Here is the entire thing:
The Trees by Rush
 
 
The beginning of the song is a beautiful classical intro which on the 
studio 
album is fingerpicked. I personally favor the live version. But here goes:
 
First I'd like to outline the basic chord forms used and then I will 
write 
out the specific picking pattern. an "X" indicates that the string is not 
used
 
D     F#m   C#m   *A*    E     G     A
E|2   E|2   E|4   E|5   E|0   E|3   E|0
B|3   B|2   B|4   B|5   B|0   B|0   B|2
G|2   G|2   G|6   G|2   G|1   G|0   G|2
D|0   D|4   D|6   D|2   D|2   D|0   D|2
A|0   A|4   A|2   A|0   A|2   A|2   A|0
E|X   E|2   E|X   E|X   E|0   E|3   E|0
 
 Bm   A/Bm (a Bm chord with an A in the bass) 
E|2   E|X
B|3   B|3 
G|4   G|4
D|4   D|4
A|2   A|0
E|X   E|X
 
 
All of these chords are pretty straight-forward except for the *A* chord. 
I don't know if that's it's real name but it's the trick to getting 
"The Tree's" to sounding right. By just playing an A chord in first 
position (2nd fret), the upper notes are too low. So you move them up an 
octave. The notes are (from lowest fretted note):  E(5), A (1), E(13), A 
(1). 
So I guess this is officially a A13 (no 3) chord. Don't be so skeptical, 
try it against the CD and you'll see what I mean (If not Hemispheres than 
E.S.L.)
 
to fret the A13 (no third) chord i find it easiest to
 |  1  |  2  |  3  |  4  |  5  |
 
E|-----=--1--=-----=-----=--4--=
B|-----=--1--=-----=-----=--4--=
G|-----=--1--=-----=-----=-----=
D|-----=--1--=-----=-----=-----=
A|-----=-----=-----=-----=-----=
E|-----=-----=-----=-----=-----=
 
in other words, barre your first finger on the D, G, B, and E strings and 
lay your pinkie on the B and E strings on the fifth fret.
 
Note, hold the patterns listed above throughout your picking (the whole 
chord). It allows for a ringing, sustained sound.
okay so here goes
(3/4 time)
 
   D              F#m        C#m        *A*
E|-2-----2H3P2----------2----4-----4----5-----5---------------- 
B|---3---------3------2---2----5-----5----5-----5--------------- 
G|-----2------------2------------6----------2------------------- 
D|-0--------------4--------------------------------------------- 
A|---------------------------4----------0----------------------- 
E|-------------------------------------------------------------- 
   1 + 2 3 e + a  1 + 2 + 3  1 + 2 + 3  1 + 2 + 3
 
   E            G      A      Bm  A/Bm Bm       Rpt 3x then
E|-0-------0----3-----------------------2---------
B|---0---0---0----0----2------3-3--3----3--3------ 
G|-----1------------0----2----4-4--4-------4-------
D|-------------------------2------------------------ 
A|---------------------2------2-2--0----2--2------- 
E|-0------------3---------------------------------
       1 + 2 + 3 +  1 + 2  + 3 +  1 +  2       +  3
 
coda (slightly slower) 
 
     D          A           Bm
E|-\-2-2H3P2----\-0----------\-2---
B|-/-3-------3--/-2-2H3P2----/-3---
G|-\-2----------\-2-------2--\-4--- 
D|-/-0----------/-2----------/-4---
A|-\-0----------\-0----------\-2--- 
E|-/------------/-0----------/-----
     1 2trplt3    1 2trplt3    1 (held)
Then:
 
F#mF#mF#mF#mF#mF#mF#mF#m
F#mF#mF#mF#mF#mF#mF#mF#m
G  G  G  G  G  G  G  G 
G  G  G  G  G  G  G  G 
 
       A             Bm
The trouble with the maples
 
	      G          D            A
and they're quite convinced they're right
 
A                               Bm       
they say the Oaks are just too lofty 
 
	  G       D       A
and they grab up all the light
 
 A                              Bm
but the Oaks can't help their feelings
 
	 G        D          A
If they like the way they're made 
 
F#mF#mF#mF#mF#mF#mF#mF#mF#mF#m
And they wonder why the maples 
 
F#mF#mF#mG G G G G G G G G G
Can't be happy in their shade
 
 
AAAAA AAAAA AAA GGG F#mF#mF#m EEE
 
 
(for the following sections use chord voicings as spelled out in beginning)
 
 
 D     
There is trouble
 
 
 F#m
In the forest
 
 
 C#m                   *A*
And the creatures all have fled
 
 
 E
while the maples
 
 
	G    A
scream "Opression"
 
 
	Bm    Bm  A/Bm    Bm    Bm
and the oaks just shake their heads
 
 
D F#m C#m *A* E G A Bm Bm A/Bm Bm Bm
 
Bm
 
The next part was transcribed by Tony Z.
I got it from the FTP site syrinx.umd.edu in the rush/incoming directory 
under the_trees.bridge
any complaints about the following section, please send to 
anthonyz@cs.arizona.edu
 
Ok, the patterns here aren't quite note-for-note, but do outline the 
chords 
Alex plays, with the open strings (B,E) ringing over the top. Playing it 
this way flows well, fits the part, and fools 99% of all loyal Rush fans 
who hear it.
 
Hope this helps.
Tony Z.

% means repeat previous measure once then continue
 
E|-------------|---|-------0-----|---|-------------|---|------ 
B|-------0-----|---|---------0---|---|-------0-----|---|------ 
G|-----4---4---|-%-|-----------6-|-%-|-----3---3---|-%-|------ 
D|---4-------4-|---|-----7-------|---|---4-------4-|---|------ 
A|-2-----------|---|---7---------|---|-------------|---|----- 
E|-------------|---|-5-----------|---|-2-----------|---|------ 
 
 
E|-------0-----|---|-------0-2-|-----0-2---|------------------ 
B|-----0---0---|---|-----0-----|-0-------0-|------------------ 
G|---6-------6-|-%-|---3-------|---3-------|------------------
D|-7-----------|---|-4---------|-----------|------------------ 
A|-------------|---|-----------|-----------|------------------ 
E|-------------|---|-----------|-----------|------------------ 
 
E|---------0-10------|---|-------1-------|---|-------0----|---|
B|-------0------0----|---|-----0---0-----|---|-----0---0--|---|
G|----11----------11-|-%-|---2-------2---|-%-|---6-------6|-%-|
D|-12----------------|---|-3-----------3-|---|-7----------|---|
A|-------------------|---|---------------|---|------------|---|
E|-------------------|---|---------------|---|------------|---|
 
E|-------0-----|---|------------------------------------------ 
B|-----0---0---|---|------------------------------------------ 
G|---1-------1-|-%-|------------------------------------------ 
D|-2-----------|---|------------------------------------------ 
A|-------------|---|------------------------------------------ 
E|-------------|---|------------------------------------------ 
 

Here's the main riff (5/4)
 
E|--------------------|--------------------------------------- 
B|--------------------|--------------------------------------- 
G|------0----0----0---|------0-------------------------------- 
D|----0-------------0-|----0------0----0----0----0------------ 
A|-12-----11---14-----|-12-----11---12---14---11-------------- 
E|--------------------|---------------------------------------
 
1st measure syncopates when Ged and Neil enter
 
E|-----------------------|------------------------------------ 
B|----0----0----0----0---|------------------------------------ 
G|---------------------0-|------------------------------------ 
D|-12---11---14---11-----|------------------------------------ 
A|-----------------------|------------------------------------ 
E|-----------------------|------------------------------------ 
 
okay now for the solo, this is pretty close
again by Tony Zimmerman
notation under notes
F- full bend R-release AH-artificial harmonic
H between- hammer
P between- pull
\ between- slide
 
E|----------------------------------------------------------------------------------------------- 
 
 
E|------------------------------------------------------------ 
B|------15-14-12----------12---------------------------------- 
G|-(14)----------14P12-14-12-14-12-14-14--14----------------- 
D|--AH------------------------------F--F---------------------- 
A|------------------------------------------------------------ 
E|---------------E|------------------------------------------------------------ 
B|------------------------------------------------------------ 
G|-11-12-12-12-11-H-12-P-11-\-9-11-6-7-9-7-6-H-7-P-6---------- 
D|--------F--------------------------------------------------- 
A|------------------------------------------------------------ 
E|------------------------------------------------------------ 
 
E|-----------|-7-7-7-7-7-7--2-2-2-2--2-2-|-----------|-------4-P-2-P-0-|-- 
D|-0-0-0-0-0-0--0-0-0-0--2-2-|-----0-2-4-|-----------------|--- 
A|-----------------------0-0-|-2-4-------|-----------------|--- 
E|---------------------------|-----------|-----------------|-- 
				
  3rd. rpt    4th rpt. then rpt here \/ 2x
E|-3-2-0-----|-----------|------------------------------------ 
B|-------3-2-|-----------|------------------------------ 
D|-----------|-----0-2-4-|------------------------------------ 
A|-----------|-2-4-------|---2-2---5---2-2--------------------
E|-----------|-----------|-5-----5---5-----2-2-2---------------
 
(here on in is me again)
      
      A                Bm
so the maples formed a union
 
     G        D     A
and demanded equal rights
 
  A                  Bm
the oaks are ju           Bm
now there's no more Oak opression
 
	   G       D    A 
for they passed a noble law 
 
F#m (8th notes, 8 beats) 
and the trees are all kept equal 
 
G (8th notes, 8 beats)                  A
by hatchet,        axe,            and saw. 
 
 
(ws etc.) 
 
A great deal of work was put into this and I hope you enjoy! 
Suggestions / Corrections can be mailed to jsimms@ic.sunysb.edu
Flames will only be accepted from Alex, Geddy, Neil, and Broon! :)
 
 
 



------
The Trees
    Rush, from _Hemispheres_

transcription by
	pat@jaameri.gsfc.nasa.gov (Patrick M. Ryan)
and
	schaaphe@gin.serc.nl (Frank Schaapherder)

Notes:
	The intro is finger-picked.  This is left as an exercise
for the reader.  ;-)


intro
D    F#m   C#m    A
E    G     A   Bm Bm  A D Bm


         D             F#m
There is unrest in the forest,
         C#m              A
There is trouble with The Trees,
        E                G
For the Maples want more sunlight
A       Bm   Bm A   D     Bm
And the Oaks ignore their pleas.


The measure is 3/4 here.


  D          A          Bm
--2-2_3_2---------------2------
--3-------3--2-2_3_2----3------
--2----------2-------2--4------
--0----------2----------4------
-------------0----------2------
-------------------------------


F# F# F# F# F# F# F# F# F# F# F# F# F# F# F# F# 

G  G  G  G  G  G  G  G  G  G  G  G  G  G  G  G  



     A                B
The trouble with the Maples,
             G        D             A
And they're quite convinced the're right
              A                 B
They say the Oaks are just too lofty
          G       D       A
And they grab up all the light.
         A                     B
But the Oaks can't help their feelings
         G        D           A
If they like the way they're made.
          F#
And they wonder why the Maples
          G
Can't be happy in their shade.


(walking bass line)
 A      A     A/G   A/F#  A/E
-0--0---0-0---0-0---0-0---0-0----------------------------------------
-2--2---2-2---2-2---2-2---2-2----------------------------------------
-2--2---2-2---2-2---2-2---2-2----------------------------------------
-2--2---2-2---2-2---2-2---2-2----------------------------------------
-0--0---0-0---X-X---X-X---0-0----------------------------------------
--------------3-3---2-2---0-0----------------------------------------


Time changing to 3/4 again (or 6/8)

          D              F# 

There is trouble in the forest,
         C#m                A
And the creatures all have fled,
        E             G           A 

As the Maples scream `Oppression`
         Bm         Bm [a few times]
And the Oaks just shake their heads

repeat this chord scheme. Then play the Bm for two bars instead of
one and move into the solo. Get a drummer with woodblocks :-)

        A               B
So the Maples formed a union
     G        D     A
And demanded equal rights.
      A                 B
"The Oaks are just too greedy;
         G         D       A
We will make them give us light."
             A           B
Now there's no more Oak oppression,
          G        D     A
For they passed a Noble Law,
         F# F# F# (you get the idea)
And the Trees are all kept equal
    G G G (etc)       A
By hatchet, axe, and saw.

Rush:

2112 (Басс Табулатура) 2112 (Табулатура) A Farewell To Kings (Табулатура) Analog Kid (Табулатура) Animate (Табулатура) Anthem (Табулатура) Available Light (Басс Табулатура) Bastille Day (Табулатура) Before And After (Табулатура) Between The Wheels (Табулатура) Big Money (Басс Табулатура) Big Money (Табулатура) Bravado (Басс Табулатура) Broons Bane (Басс Табулатура) Broons Bane (Табулатура) By-tor And The Snow Dog (Табулатура) Chain Lightning (Басс Табулатура) Chemistry (Табулатура) Cirumstances (Басс Табулатура) Closer To The Heart (Басс Табулатура) Closer To The Heart (Табулатура) Cold Fire (Табулатура) Cut To Thease (Табулатура) Cygnus X-1 (Басс Табулатура) Cygnus X-1 (Табулатура) Different Strings (Табулатура) Digital Man (Басс Табулатура) Distant Early Warning (Аккорды) Double Agent (Табулатура) Dream Line (Басс Табулатура) Dreamline (Табулатура) Enemy Within (Басс Табулатура) Entre Nous (Табулатура) Finding My Way (Табулатура) Fly By Night (Табулатура) Freewill (Табулатура) Ghost Of Aance (Табулатура) Hemisphere (Басс Табулатура) Hemispheres (Табулатура) Here Again (Табулатура) Highwater (Табулатура) In The End (Табулатура) In The Mood (Басс Табулатура) In The Mood (Табулатура) Jacobs Ladder (Табулатура) Kid Gloves (Табулатура) La Villa Strangiato (Басс Табулатура) La Villa Strangiato (Табулатура) Lakeside Park (Табулатура) Leave That Thing Alone (Табулатура) Lessons (Табулатура) Limelight (Басс Табулатура) Limelight (Табулатура) Losing It (Табулатура) Madrigal (Табулатура) Making Memories (Табулатура) Marathon (Табулатура) Middletown Dreams (Табулатура) Natural Science (Табулатура) Need Some Love (Табулатура) New World Man (Басс Табулатура) No One At The Bridge (Табулатура) Nobodys Hero (Табулатура) Overture (Табулатура) Panacea (Табулатура) Passage To Bangkok (Табулатура) Presto (Табулатура) Prime Mover (Басс Табулатура) Prime Mover (Табулатура) Red Baetta (Басс Табулатура) Red Baetta (Табулатура) Red Lenses (Табулатура) Rivendell (Табулатура) Roll The Bones (Табулатура) Show Dont Tell (Табулатура) Soliloquy (Аккорды) Something For Nothing (Басс Табулатура) Spirit Of Radio (Басс Табулатура) Spirit Of Radio (Табулатура) Subdivisions (Табулатура) Superconductor (Табулатура) Take A Friend (Табулатура) Tears (Табулатура) Temples Of Syrinx (Табулатура) The Camera Eye (Табулатура) The Enemy Within (Табулатура) The Pass (Басс Табулатура) The Trees (Басс Табулатура) The Trees (Табулатура) The Trees Solo (Табулатура) The Weapon (Табулатура) Time Stand Still (Басс Табулатура) Time Stand Still (Табулатура) Time Stands Still (Аккорды) Tom Sawyer (Басс Табулатура) Tom Sawyer (Табулатура) Virtuality (Табулатура) Vital Signs (Басс Табулатура) Vital Signs (Табулатура) War Paint (Табулатура) What Youre Doing (Табулатура) Wheres My Thing (Табулатура) Working Man (Табулатура) Xanadu (Табулатура) Y Y Z (Табулатура) Yyz (Басс Табулатура) Yyz (Табулатура)