#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#

Date: Wed, 26 Jun 1996 16:26:49 -0400
From: jraab@itsmail1.hamilton.edu (J)
Subject: TAB: "Bloat" by Binsey Poplars


Binsey Poplars -- "Bloat"
from the KokoPop release "Trip So Far" c1995.
transcribed by Jeff Raab

This one's got two guitar parts, and really doesn't follow any simple
rhythm.  So the best way to follow it is by time...


Guitar 1 (chorus, slight distortion, and a heavy mix of REALLY long delay)
---------

.03   e |--------|
      b |--10s9--|

.07   e |-----------|
      b |--10s9s12--|

.12   e |--------|
      b |--10s9--|

.16   e |----------|
      b |--10s9s5--|

.21   e |--------|
      b |--10s9--|

.25   e |-----------|
      b |--10s9s12--|

.29   e |---------|
      b |--12s14--|

.33   e |----------|
      b |--10s9s7--|

.37   e |--12--------|
      b |-----14s12--|

.42   e |--12--------|
      b |-----14s12--|

.46   e |------------|
      b |--12s14s12--|

.50   e |--------|
      b |--10s9--|

.54   e |--------|
      b |--10s9--|

.58   e |-----------|
      b |--10s9s12--|

1.02  e |---------|
      b |--10b\9--|  #----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
#

Date: Wed, 26 Jun 1996 16:26:49 -0400
From: jraab@itsmail1.hamilton.edu (J)
Subject: TAB: "Bloat" by Binsey Poplars


Binsey Poplars -- "Bloat"
from the KokoPop release "Trip So Far" c1995.
transcribed by Jeff Raab

This one's got two guitar parts, and really doesn't follow any simple
rhythm.  So the best way to follow it is by time...


Guitar 1 (chorus, slight distortion, and a heavy mix of REALLY long delay)
---------

.03   e |--------|
      b |--10s9--|

.07   e |-----------|
      b |--10s9s12--|

.12   e |--------|
      b |--10s9--|

.16   e |----------|
      b |--10s9s5--|

.21   e |--------|
      b |--10s9--|

.25   e |-----------|
      b |--10s9s12--|

.29   e |---------|
      b |--12s14--|

.33   e |----------|
      b |--10s9s7--|

.37   e |--12--------|
      b |-----14s12--|

.42   e |--12--------|
      b |-----14s12--|

.46   e |------------|
      b |--12s14s12--|

.50   e |--------|
      b |--10s9--|

.54   e |--------|
      b |--10s9--|

.58   e |-----------|
      b |--10s9s12--|

1.02  e |---------|
      b |--10b\9--|  <-- here the note decays from a 9th fret bend up a half
                         step down to the regular 9th fret tone
1.07  e |---------|
      b |--12s14--|

1.12  e |---------|
      b |--12s14--|



Guitar 2  (chorus, slight distortion, and volume pedal used to create a
---------  cello-like effect)

.01   d |-----|
      a |-----|
      E |--5--|

.05   d |-----|
      a |--5--|
      E |-----|

.09   d |-----|
      a |-----|
      E |--5--|

.13   d |-----|
      a |--5--|
      E |-----|

.18   d |-----|
      a |-----|
      E |--5--|

.22   d |-----|
      a |--5--|
      E |-----|

.26   d |-----|
      a |-----|
      E |--5--|

.31   d |-----|
      a |--5--|
      E |-----|

.36   d |-----|
      a |--7--|
      E |-----|

.40   d |-----|
      a |--5--|
      E |-----|

.44   d |-----|
      a |--7--|
      E |-----|

.48   d |-----|
      a |--5--|
      E |-----|

.52   d |-----|
      a |--7--|
      E |-----|

.56   d |-----|
      a |--5--|
      E |-----|

1.00  d |-----|
      a |--7--|
      E |-----|

1.05  d |-----|
      a |--5--|
      E |-----|

1.09  d |-----|
      a |-----|
      E |--3--|

1.16  d |-----|
      a |--5--|
      E |-----|

1.20  d |--5--|
      a |-----|
      E |-----|


Not the hardest thing in the world to play, by any means. =)
Really ghostly beautiful, though.

Questions, comments, spam to jraab@hamilton.edu